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最后的女臥底

最后的女臥底

主演:
Heather  Lere  /  Madison  /  Bionca  Seven  
导演:
Herschel  Savage  
类型:
经典电影
地区:
美国
年份:
1992年

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  • 第01集

电影最后的女臥底剧情介绍

貌美的女卧底带领精英警察部队完成一系列特殊行动。结合动作、魅力、幽默和悬念,莉雅有著一份看似单调乏味的案头工作,她的朋友却不知道她是个卧底,并且率领一支精锐警察部队处理监视,跟踪和渗透工作!由她的高度熟练的团队为后盾,莉雅变换不同的身份:应召女郎、舞者,出入豪华酒店,蒸 气浴和赌场,只为完成任务。 本片是费拉里对现代社会文明和小家庭中男子的作用的最新探讨的成果。工程师热拉尔德被妻子抛弃了,并把小儿子皮耶罗特留给了他。当工厂宣布休假时,他把保姆当作情人;在短短的时间内,他重新经受了令人伤脑筋的以两斗争为特点的两人关系发展的全过程。热拉尔德完全被以交为表现的男意识所支配。当他同情人的关系发生危机时...
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貌美的女卧底带领精英警察部队完成一系列特殊行动。结合动作、魅力、幽默和悬念,莉雅有著一份看似单调乏味的案头工作,她的朋友却不知道她是个卧底,并且率领一支精锐警察部队处理监视,跟踪和渗透工作!由她的高度熟练的团队为后盾,莉雅变换不同的身份:应召女郎、舞者,出入豪华酒店,蒸 气浴和赌场,只为完成任务。
本片是费拉里对现代社会文明和小家庭中男子的作用的最新探讨的成果。工程师热拉尔德被妻子抛弃了,并把小儿子皮耶罗特留给了他。当工厂宣布休假时,他把保姆当作情人;在短短的时间内,他重新经受了令人伤脑筋的以两斗争为特点的两人关系发展的全过程。热拉尔德完全被以交为表现的男意识所支配。当他同情人的关系发生危机时,他的情人却和他的前妻成了好朋友。他出于抗议和绝望用一把厨房用的电锯把自己的割掉了。这个可以作为模式的事件的大部分 (就象在戏剧舞台上一样)发生在一套高层小公寓里。费拉里批判了他的主人公的大男子主义,同时也表现了由于生活(工作,住宅,千篇一律的生活秩序,孤独寂寞)造成的绝望和灰心丧气。如果说影片留下了一种相互矛盾的印象,那是由于影片以独特的方式提出了问题:这个男人是他的行为的牺牲品,也是妇女全面反抗的牺牲品;费拉里在这部影片中同样使用了多种手法,而且通过一些“煽动"的细节和效果来吸引更多的观众。Beautiful female elite police force led by undercover complete a series of specific actions. Combination of action, glamor, humor and suspense, Liya has a seemingly tedious paperwork, her friends did not know she was undercover, and led by an elite police force deal with surveillance, tracking and infiltration work! By her team backed by highly skilled, Liya transform different identities: call girls, dancers, out of luxury hotels, vapor bath and casino, only to complete the task.
The film is the result of the latest Ferrari discussed modern social civilization and the role of men in the nuclear family. Engineer Gérard abandoned by his wife and his little son Pierre Roth left him. When the announced factories leave, he nanny as a lover; in a short period of time, he was again subjected to the whole process of vexing to two struggle characterized by the development of relations between the two. Gérard is completely dominated by men in order to pay for the performance of consciousness. When his relationship empathetic crisis, but his lover and his wife became good friends. For his protest and despair with a kitchen with a chainsaw to cut off his own. Most of this can serve as a model event (as in a theater on) occurs in a small high-rise apartment. Ferrari criticized his hero"s machismo, but also the performance due to the despair and frustration of life (work, housing, uniform order of life, loneliness) caused. If the film left a contradictory impression that the film is due to the unique way raised the question: This man is the victim of his actions, but also against women"s full victim; Ferrari also in the film using a variety of techniques, but also through a number of "inciting" the details and effects to attract more viewers.